《没有和解》是让-马里·斯特劳布,达尼埃尔·于伊耶导演的一部超级经典的片,该剧讲述了:
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
T4在飞出前还是用触手卷向车底下的四人,楚翔手中早握住把自动步枪,那是被猎杀的一名队员掉在地下,看到触手卷过来,楚翔毫不犹豫的开枪,T4皮肤是够硬,不过它的触手防御力一般,普通子弹只要准头足够就能打断,卷向楚翔和张红兵的触手被拦住,但有一名背弹药的队员却不及施救,他被触手缠住后随着T4飞出车底。,想看更多的相关影视作品,请收藏我们的网站:ubcssa.org